Kim Weston got a raw deal. One of Motown's finest female vocalists, she was never promoted by the label as enthusiastically as other soul sisters like Diana Ross, Mary Wells, or Brenda Holloway, thus relegating her to "lost classic" status. She even recorded a string of hit singles with Marvin Gaye, yet not even these have remained radio standards, outdone as they are by Gaye's many duets with Tammi Terrell. Weston had, however, one of the purest voices in all of rhythm and blues (still does, in fact), and, personally, I find her performance of "Lift Every Voice & Sing" at Wattstax to be one of 70's soul's most triumphant moments. Kim Kim Kim, comes from Kim's time with Stax/Volt following her departure from Motown. Because Weston was effectively blacklisted in regards to radio after leaving Motown (as was the case with most artists who crossed Berry Gordy in some way), this album received almost no airplay and slipped from the memory of all but the most fanatical R&B collectors. This, I think, is one of the greatest musical travesties of the 70's (and that being the era that foisted "Disco Duck" upon civilization!) This is a wonder of an album - every song ought to be a soul classic. Weston's impassioned interpretation of Sam & Dave's "When Something Is Wrong With My Baby" nearly outdoes the original, while silky ballads like "The Love I've Been Looking For" showcase one of the most haunting voices in soul history. But it's not all ballad-esque schmaltz: "Love Vibrations" and "Soul On Fire" are groovy examples of funk at it's stankiest. But it's the closer, "The Choice Is Up To You (Walk With Me Jesus)" that cements this album's status as one of the most well-done soul albums of the 70's: an old-fashioned gospel scorcher, "The Choice..." is breathtaking. It's damn good, and after listening to it, I can't help but feel pissed off that this album wasn't a success. Damn!
No comments:
Post a Comment